Venice Biennale
威尼斯双年展

An Eternal Hub of Creativity
古老亦充满活力的创意枢纽

Abstract

A well-designed organizational structure and operational mechanism are crucial for the development of a design week platform. An overly complex organizational structure may hamper the efficiency of the platform, while a structure that is too simple may weaken its ability to withstand risks, ultimately affecting the effectiveness of the exhibition. Therefore, an excellent organizational structure is akin to the root of a tree for a design week platform, allowing it to operate efficiently and sustainably.

The Venice Biennale is one of the world's three major art exhibitions, with a rich historical legacy. Its dynamic organizational structure has provided a useful reference for the organizers of international art and design events. This article will focus on the historical development of the Venice Biennale and identify key milestones in its history. It will analyze the organizational structure, curation methods, and cultural integration of different historical stages of the Biennale, exploring the reasons for its evolution. The aim is to use the history of the Biennale's development as a reference for the modern development of exhibition platforms, to fully leverage the adaptability and convenience of organizational structures, and to find more sustainable organizational models for design weeks that are suitable for different social environments.

摘要

设计周的策划组织结构与运营机构是整个活动平台发展的灵魂，杂糅的组织模式会影响平台的行动效率，然而，过于简洁的组织结构抗风险能力又会减弱，最终直接关系到会展活动的举办效果。因此一个优秀的组织架构方式便近乎于一个会展体系的树根，能让设计周平台更高效有序的可持续运转。

威尼斯双年展是世界三大艺术展之一，拥有丰富的历史沉淀，同时其具有生命力的组织架构也为国际相关艺术设计活动的组织方提供了具有一定借鉴性的思路。因此，本文将以历史为主线，从威尼斯双年展的发展历程中找出关键节点，分析双年展组织架构、策展方式、文化融合的各个历史阶段，了解其变迁的原因，让双年展发展的历史作为现代会展发展的参照，充分发挥组织架构的变通性和便利性，找到在不同社会环境下适合该城市设计周发展的更为可持续的组织模式。